Browse our archive by

Prologue

An 18-year-old named Tito talks about how he didn't have a choice about certain things in his life, especially his feelings and dreams...and his feelings about Eminem.

Act One: Bowing Before The Famous

One way to measure the faith—the good old-fashioned faith—that people put in celebrities is to examine what people ask of them. Ann Hepperman has a story that gives a rare and vivid glimpse of what people want from celebrities...or anyway, what they want from country legend Willie Nelson.

Prologue

We listen in on a ritual that happens in millions of families every week: kids getting dropped off at the babysitters. Six-year-old Dylan and nine-year-old Sarah explain what they can and can't get away with when they have a babysitter.After that, host Ira Glass has a few words about Mary Poppins, who is the Gold Standard of all fictional babysitters.

Prologue

Ira talks with producer Blue Chevigny about how a prank caller taught her that when it comes to pursuing happiness, Carole King, the world of independent cinema and the New York City Police Department have a lot more in common than she ever imagined. He also talks with MIT Professor Pauline Maier, author of the book American Scripture: Making the Declaration of Independence.

Prologue

This American Life host Ira Glass and producer Susan Burton spent a week in August recording a suburban Chicago youth group at every stage of their very first mission trip. The teenagers were from Covenant Presbyterian Church in Chicago.

Act Two: When Czechs Bounce

If part of the impulse behind the Tiananmen Square uprising was the pure desire to feel like life had possibility, that the future had potential...that impulse was behind another movement. This one among young people in Eastern Europe back before the Berlin Wall fell.

Act Two: Mucho Corazon

A man in Amsterdam and a woman in Cuba fall in love, even though their governments don't want them to live together. This story was produced by Chris Brookes and Michele Ernsting for the World Views series of first person narratives, from Homeland Productions.

Prologue

Host Ira Glass with jazz musician Ed Ryder, who was in prison in Pennsylvania for twenty years for a murder it was later proven he did not commit. Ryder played jazz in the pen and out of the pen.

Act Four: When Businesses Act Like Humans

Then Chicago-radio-listener and writer Alex Blumberg (he's now one of our producers) tells the story of encountering a corporation on its first day. It made all the human errors anyone does on a first day: exhibiting false confidence, pretending it wasn't the first day, trying too hard.

Act One: Papa Was Not A Rolling Stone

A case study of how children are asked to live the unlived lives of their parents. Author David Sedaris had a father who loved jazz but played no instrument himself.

Act Two: Toccata and Fugue In Me, a Minor

As a teenager, Sarah Vowell was not casual about music lessons — music became her life. She was in marching band, jazz band, Band One, symphony band, pep band and the Bozeman Recorder Ensemble.

Act Three: Knockin' On Heaven's Door

Writer Anne Lamott presents an example of what we can learn from music outside of formal classes. She tells the story of an airplane trip, a song, and a small miracle.

Act Two: When The Telephone Is Your Medium

Sure you can try to get your pop songs onto records, or on the radio, or onto MTV. But what happens if your medium of choice is ... the telephone? Before they had record contracts, the band They Might Be Giants distributed their songs through the medium of Answering Machine.